- #GOLDEN GLOBES I MAY DESTROY YOU SKIN#
- #GOLDEN GLOBES I MAY DESTROY YOU SERIES#
- #GOLDEN GLOBES I MAY DESTROY YOU TV#
“Honey Boy” filmmaker Alma Har’el added, “Sometimes racism is the only explanation.” Other Hollywood voices were even more damning of the HPFA, with “Birds of Prey” director Cathy Yan writing it’s “bullshit” that “Destroy You” got zero nominations.
#GOLDEN GLOBES I MAY DESTROY YOU SKIN#
But we also need to give awards to shows (and music and films and plays and musicals) that deserve them, no matter the color of the skin of their creators.” That ‘I May Destroy You’ did not get one Golden Globe nod is not only wrong, it’s what is wrong with everything.”Ĭopaken summed up her argument by writing, “We need art that reflects all of our colors, not just some. But that excitement is now unfortunately tempered by my rage over Coel’s snub. “I’ve never been remotely close to seeing a Golden Globe statue up close, let alone being nominated for one. “Am I excited that Emily in Paris was nominated? Yes. It takes the complicated issue of a rape - I’m a sexual assault survivor myself - and infuses it with heart, humor, pathos and a story constructed so well, I had to watch it twice, just to understand how Coel did it.” Writing about “I May Destroy You,” Copaken added, “‘I May Destroy You’ was not only my favorite show of 2020. NBC Sets Golden Globes Return Broadcast Return for January 10ħ New Netflix Shows in September 2022 - and the Best Reasons to WatchĮarly Best Adapted Screenplay Contenders Range from 'Living' to 'Top Gun: Maverick' In 2021, we must again say: something needs to drastically change.'Emily in Paris' Season 3 First Look: Lily Collins Is at a Crossroads Year after year, we continue to meet these problems with the film industry and its award institutions. The receipts of Coel’s work ethic are all there, yet they aren’t being read.
The issue here is much more deep rooted than that: at the surface we see a white actress flourish at the top of a food chain that is already designed to praise her success while the blatant hard work and labour of a Black curator, producer, and director goes completely unrecognised. What is so difficult for the Golden Globes to understand here? A common question I see a lot of us ask is: what more could Coel have done to be deemed ‘worthy’ of this award? What more can a Black woman do to be acknowledged for her craftmanship? Why does the graft of a Black woman come with such a stomping amount of expectation in contrast to her white peers? I’ve noticed that while these are all imperative queries, the real question we should be asking is why, again, are award shows too incompetent to acknowledge the work of Black creatives? We shouldn’t be questioning what more Coel could have done, but rather ask why the film industry blatantly ignores the avant-garde work of black creators. Excuse me while I try to handle the extreme sense of déjà vu I’m currently having. Emily in Paris was not a revolutionary watch: it was a generic storyline, easily executed, with a white woman as the protagonist, and yet it has now received nominations for awards in excellence. The problem isn’t the script writers or producers of Emily in Paris but the film industry itself for failing to show recognition and representation where deserved. This isn’t necessarily to pronounce Emily in Paris a terrible show, rather to shame the film industry's continuous and ignorant dismissal of recognising the brilliantly executed work of Black creatives.
#GOLDEN GLOBES I MAY DESTROY YOU SERIES#
At the very least, I May Destroy You deserved a nomination for Best Television Series and Michaela Cole a nod for Best Actress from the Golden Globes. In no series has this topic ever been executed so on-the-nose. In this series Coel tackles the various emotions and reactions of being a survivor, including denial, anger, self-sabotage, guilt and depression. I May Destroy You is a ground-breaking piece of television that tackles the ugliest, honest truths about being a rape survivor and all that surrounds it. Not only that, Coel scripted a Black British cast of three protagonists, wrote, co-directed, and executive produced this masterpiece.
#GOLDEN GLOBES I MAY DESTROY YOU TV#
In short, I have learnt so much from this show.Īctress, journalist, and producer Michaela Coel crafted a piece of TV stemming from her own traumas and converted them into an informative, emotive and authentically great watch. Tackling sexuality, drugs and consent in just twelve episodes of one series, I May Destroy You is confidently educational and concludes with the biggest epiphany. Based on real life, autobiographical events, I May Destroy You is an earnest series detailing the triggering and unsettling reality of victims of sexual abuse. In the same year that Emily in Paris aired, Michaela Coel’s self-made project I May Destroy You premiered on BBC iPlayer.
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